Download Writing About Architecture: Mastering the Language of by Alexandra Lange PDF

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By Alexandra Lange

Writing approximately structure: studying the Language of constructions and Cities, the newest addition to the structure Briefs sequence, is a guide on tips to write successfully and seriously in regards to the modern urban. The e-book deals works by means of the very best structure critics of the 20th century together with Ada Louise Huxtable, Lewis Mumford, Herbert Muschamp, Michael Sorkin, Charles Moore, Frederick legislations Olmsted, and Jane Jacobs to explains one of the most winning tools with which to procedure architectural feedback. every one bankruptcy opens with a reprint of a traditionally major essay (and equipped via typology corresponding to the skyscraper, the museum, and parks) discussing a selected construction or city undertaking. the writer, Alexandra Lange, then bargains a detailed studying of that essay, in addition to her personal research via modern examples, to additional enlighten the reader approximately tips on how to write an efficient piece of architectural criticism.

This ebook, in accordance with classes discovered from the author's classes at ny collage and the varsity of visible Arts, may function the first textual content for a path on feedback for undergraduates or structure and layout majors. Architects lined comprise Marcel Breuer, Diller Scofidio + Renfro, box Operations, Norman Foster, Frank Gehry, Frederick legislation Olmsted, SOM, Louis Sullivan, and Frank Lloyd Wright.

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Mumford shows us how Lever House rewrites those rules, setting a different sort of standard than the race for the sky epitomized by the Chrysler and Empire State buildings. Sullivan’s ideal skyscrapers are freestanding sculptures, while Mumford’s have to work on specific sites, offer public open spaces and daylit offices, and be symbols of American optimism. So powerful was Lever’s example that when, in 2006, the Hearst Tower by Foster + Partners opened on Eighth Avenue in New York City, Paul Goldberger harked back to a descendent of Lever House to amplify his praise in “Triangulation” (New Yorker, December 19, 2005).

So valuable have these older ones proved that one of them, 383 and 385 Madison Avenue, has now been completely renovated and given new elevators, an air-conditioning system, and numerous other embellishments at a cost as great as that of the building itself. Lever House returns to the more modest density achieved in this twelve-story structure. By not quite doubling that number of floors in the main part of their building, however, the architects of Lever House have been able to house those twelve hundred employees comfortably while providing an unusual amount of open space that is secure against encroachment.

His reviews can start anywhere in a building, even at the airport of the city in which the building stands (as in his review of the Guggenheim Bilbao, discussed in chapter 2), and often mix in other media—movies, art, books, poetry—in order to make the emotional connection between architecture and reader. The third approach is historical, which is primarily identifiable in the work of the present-day New Yorker architecture critic Paul Goldberger. He is interested in the architect’s career and in fitting buildings within that (limited) framework.

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